Tier 4

Francesco Gonzaga Diocesan Museum

Ascension (sinopia)

Material
detached sinopia (strappo)
Category
Frescoes
Inventory
inv_7

Digital assets and usage rights

Files and licenses to use the image of the work.

  • Web imageJPEG for web, study and personal use.Not available yet
  • High-resolution imageMaster file for print and publishing.Not available yet
  • Light 3D modelOptimized GLB for screens, web and augmented reality.Not available yet
  • Full 3D modelFull-resolution mesh with textures (OBJ).Not available yet
  • Usage licensePermission to reproduce the work, by use, territory and duration.Not available yet
Total€1.34 + VAT

The units you buy are held for you in your AerariumChain collection; you can transfer them to your Algorand wallet whenever you like. Secure payment with Stripe: card, Apple Pay, Google Pay.

Physical copy

A reproduction to keep, made to order.

  • Fine art printOn archival paper or canvas, in the formats offered by the museum.Not available yet
  • 3D printA physical replica from the 3D scan, in different scales and materials.Not available yet

Description

A decoration of the atrium of the Basilica of Sant'Andrea, built on a project by Leon Battista Alberti from the year 1472, were placed these three rounds with their sinopias, detached, for conservative reasons, in the middle of the last century. Two of the greatest Renaissance artists, Andrea Mantegna and Correggio, are the authors. The first would work there, together with his workshop, around 1488, to make the figures of the tympanum and the Ascension of Jesus to heaven ; Correggio intervened between 1511 or 1512. Of the three rounds, of which the frames remain on site, the larger one was placed above the portal and depicts the Ascension. The subjects of the other two, to complete the narrative of the earthly story of Jesus opened with the first, are the Holy Family and the Deposition in the tomb. In the synopsis of the Ascension of Mantegna, Jesus shows himself while rising to heaven, wrapped in almond-shaped angels. In Christian painting the almond, for its almost impenetrable shell, was symbolically used to enclose the image of God. The sinopia is compared to that of Correggio, to highlight the different style of the two artists: meticulous, calligraphic the one, compendiary, to large strokes, the other.

Blockchain information

Minted on
Algorand
UVI ASA
985386608
NFTMicro ASA
990299749
Right type
OER: experience rights, not ownership of the work
NFTMicro issued
1,000,000

Tier 4: Works are ranked in 5 tiers by value: the higher the tier, the more NFTMicro are issued.

Levels

The more NFTMicro of the same work you hold, the higher the definition of the 3D model you can access.

  1. Bronzefrom 1 units
    Low-definition 3D model, wireframe texture.
  2. Silverfrom 5 units
    Medium definition, texture without shaders.
  3. Goldfrom 30 units
    High resolution, texture with basic shaders.
  4. Rubyfrom 100 units
    Highest definition, enhanced shaders and lighting.

Roles

Supporter
Any purchase supports the care of the work.
Sponsor
At least 20% of the NFTMicro on sale in the period; 2 to 5 per work.
Patron
At least 51% of the NFTMicro on sale in the period; one per work, credited on the page.

Top collectors

More from the museum